East Side Orchestras: Music and Social Change

I am currently working on a research project that looks at the social impacts of Arohanui StringsPorirua Soundscapes, and Virtuoso Strings. These groups provide free, Sistema-inspired orchestral music education programmes in low decile schools in Hutt Valley and Porirua. This project is funded by the Royal Society of New Zealand’s Marsden Fund.

Music colour
Photo: Lorena Gibson

El Sistema is a Venezuelan music and social development initiative that began in 1975 and is today one of the world’s largest and most famous orchestral music education programmes. Sistema-inspired programmes operate in over 60 countries worldwide, including Aotearoa New Zealand, providing musical and social opportunities to underprivileged children with the aim of transforming their lives, their families’ lives, and their wider communities (Booth & Turnstall 2014, 2016; Sistema Global: Friends of El Sistema Worldwide 2015).

In the last decade, scholars have paid increasing attention to how Sistema-inspired programmes operate in different cultural contexts, reporting positive outcomes in musical and educational attainment, development of children’s personal and social skills (including discipline, positive attitudes towards school, and raised aspirations) and family engagement (Creech et al 2016; Osborne et al 2015; Trinick & McNaughton 2013). Fewer studies have focused on the wider social development aims of Sistema-inspired programmes, however, such as community wellbeing and socioeconomic impacts (Allan 2010; Burns & Bewick 2015; Uy 2012), and a growing number of researchers are critiquing orchestral music education programmes for promoting middle-class Western ideologies and for unintentionally reproducing rather than challenging structural inequalities (e.g., Baker 2014; Bull 2016). This is where my project comes in. I want to look beyond educational achievement to learn more about the social effects that Arohanui Strings, Virtuoso Strings, and Porirua Soundscapes have on the young people who participate in music classes, as well as their families and their wider communities. My aim is to understand how these groups transform young people’s lives through music.

GuitarGoPro b&w
Photo: Lorena Gibson

I am using a range of ethnographic methods in this project, including interviews, participant-observation (attending rehearsals, concerts, holiday programmes, and other events), photography, and participatory video. This involves inviting some of the young people involved in these organisations to use video cameras to document their experiences, and collaborate with me on making a short ethnographic film – for example, by working with me to decide what should be in the film, shooting footage for it, and advising me during the editing process.

As well as making an ethnographic film showing how young people experience the relationship between music and social change, I will produce reports for Arohanui Strings, Virtuoso Strings, and Porirua Soundscapes. I will write academic journal articles and book chapters, and give a public talk at the end of the project (early 2020), and will upload published material here to this blog.

This research has been approved by the Victoria University of Wellington Human Ethics Committee, application reference 24293. If you have any questions about it, or are interested in becoming involved, please contact me.

 

References

Allan, J. 2010. Arts and the inclusive imagination: Socially engaged arts practices and Sistema Scotland. Journal of Social Inclusion, 1(2): 111-122.

Baker, G. 2014. El Sistema: Orchestrating Venezuela’s youth. New York: Oxford University Press.

Booth, E., & Tunstall, T. 2014. Five encounters with “El Sistema” International: A Venezuelan marvel becomes a global movement. Teaching Artist Journal, 12(2): 69-81.

Booth, E., & Tunstall, T. 2016. Playing for Their Lives: The Global El Sistema Movement for Social Change Through Music. New York: W. W. Norton & Company.

Bull, A. 2016. El Sistema as a bourgeois social project: Class, gender, and Victorian values. Action, Criticism, and Theory for Music Education, 15(1), 120-53.

Burns, S., & Bewick, P. 2015. In Harmony Liverpool Year 5 Evaluation: Health and Well- Being Report. https://issuu.com/liverpoolphilharmonic/docs/in_harmony_liverpool_year_5_evaluat

Creech, A., Gonzales-Moreno, P., Lorenzino, L., Waitman, G., Bates, L., Swan, A., de Jesus Carillo Mendez, R., Hernandes, D.N.C., & Gonzales, P. C. 2016. El Sistema and Sistema-inspired programmes: A literature review of research, evaluation, and critical debates (2nd ed.). San Diego, California: Sistema Global.

Osborne, M. S., McPherson, G. E., Faulkner, R., Davidson, J. W., & Barrett, M. S. 2015. Exploring the academic and psychosocial impact of El Sistema-inspired music programs within two low socio-economic schools. Music Education Research, 18(2), 156-175.

Trinick, Robyn and Stuart McNaughton. 2013. Independent evaluation of the music learning outcomes in the Sistema Aotearoa Programme. Report prepared for Auckland Philharmonia Orchestra. Faculty of Education, the University of Auckland.

Uy, M. S. 2012. Venezuela’s national music education program El Sistema: Its interactions with society and its participants’ engagement in praxis. Music and Arts in Action, 4(1): 5-2.

 

 

New Zealand-born and internationally raised

I am delighted to welcome writer Cileme Venkateswar to anthropod. This is the third post in my series on doing fieldwork with kids, and in it Cileme (who I introduced in Part II of this series) reflects on what it was like to be the kid of an anthropologist who travelled a lot to do fieldwork. 

You grow up differently as a kid of an academic, that’s just kind of a given. There’s a certain drive you have, a desire to know more about the world, a determination to succeed in the things you find joy in that I’ve only ever seen so fiercely in children whose parents have similar professions.

But being the kid of an anthropologist in particular? Now that’s a whole other ball game.

I can safely say that I wouldn’t be who I am now in any way whatsoever without my mother’s influence as an anthropologist. I’ve learned some of the most important life lessons I carry with me as a now almost 21 year old from the anthropological teachings I witnessed and the research I was privy to as a child. Growing up, it was just me and my mum and so when it came to her doing fieldwork, there weren’t a whole lot of options for what I would do. It was simple. I’d just go with her.

Cileme
Cileme, age 8, in Singapore

Travelling from a young age is its own lesson. Before the age of 15, I had been to New Zealand (obviously), Australia, India, Thailand, Singapore, Malaysia, the UK, the USA, Nepal, Portugal, Germany, France and quite possibly more that I don’t even remember. It ingrained in me from a very young age the vastness of the world and how much more there was out there. I was surrounded by so many different languages and cultures, heritage and traditions that even if I didn’t understand them, I was immediately curious about how their lives differed from my own and how much diversity existed around the globe.

Kids aren’t inherently patient, not in the slightest, but annual 12 hour plane rides, long taxi commutes to various places in numerous cities, waiting in long queues, having to amuse myself for several hours during book launches, research interviews etc., certainly helped improve what little patience I had as a child! It also produced a remarkably active imagination. I learned to sit in my own corner and make up stories in my head. I carted my imaginary friends around the world with me, having my own adventures in each new location we visited. I began a growing collection of books picked up cheaply in roadside book stalls and airport shops that helped foster a love for storytelling, complex characters and literature, a love that remains today as I study English and Creative Writing at university.

But one of the things I’ve only recently started to appreciate having learned solely from the situation of my mother’s work in academia, is my ability to converse with anyone, especially adults. Adults speak to kids a very particular way, stick to a select few conversational topics and often use that annoying, high pitched, slightly condescending tone of voice, laughing at the interesting and often naive answers they receive to their questions. Children rarely notice, but as a child of an academic, you’re constantly surrounded by adults in scenarios of meetings, pot luck dinners, fieldwork, or random encounters during a normal day. The asking about school, the ‘what do you want to be when you grow up’ and the interest in what books you’re reading grows old pretty quick when you have several pot lucks a semester and you’re encountering the same adults each time. For a while, it’s easy to be amused by the luxury of getting to watch Nickelodeon and Cartoon Network on Sky TV, or running around playing tag outside with the other kids. But eventually, it reaches around 10 o’clock in the evening and the only shows on the television are reruns of episodes you’ve already seen, half the other kids are either asleep or have gone home, the high schoolers are bored of babysitting you and have taken to answering questions about their own subjects and university applications, and you meanwhile want another slice of the pavlova on the dessert table but unfortunately, there’s a group of lecturers from a department you’ve never heard of standing there and you have no segue into asking them to help you reach the cake tin. It’s around that point that you realise you’ve got to bridge the gap between child and adult and just find a way to talk to them without them looking down at you like a silly little kid.

Somewhere between the ages of 8 and 11, I suddenly gained the ability to proficiently and fluently interact with adults outside of the regular ‘child questions’, whether I knew them or not and whether we had common ground or not. I talked about travel, about what they might be researching and what my mum was researching, about where in the world they’d been and where in the world I’d been, about the things I didn’t understand in the books I read, about the stories I was writing, about whether I wanted to be a journalist or a novelist — anything and everything I could hold an almost adult conversation about. It never occurred to me that this was a ‘skill’ of any sort until I was much older. Only in the last few years of my life have I realised that people my age don’t just hold conversation with adults much older than them (even now with so much more to talk about), that it isn’t normal to be able to go up to a perfect stranger and find common ground, sparking a friendship. I’ve had so many friends pull me aside after a seamless conversation with a tutor or a lecturer and whisper ‘How did you do that? How did you know what to say?’ It’s so much easier now, as I can converse about politics, history, literature, climate change, generational differences, activism … but it all stemmed from the ability I decided to cultivate as a child.

Some of the things that have shaped me the most profoundly are the experiences I’ve had because I accompanied my mother in so many aspects of her job. I’ve played soccer with boys living in slums in India even though they didn’t speak a word of English nor I a word of Bengali. I’ve spent half my childhood wandering around university campuses playing make believe and dragging those same invisible friends to every country I had the privilege of visiting. I’ve been changed and impacted by each and every culture and experience I was enveloped in and would be so much lesser of a person without it all. This was all a part of my life out of necessity — me going with my mother was the only option either of us had for when she had to travel or go to research. But to any and all academics out there with kids: honestly. Even if you have other arrangements you could make, don’t rule out taking your kids with you, especially before they reach high school. Getting to see the world as a kid is unlike anything else, and they learn lessons that are invaluable and unteachable in any other circumstance. Believe me. We become better people for it.

Anthropology for Liberation readings

Next trimester I’m teaching a new course, Anthropology for Liberation. Here’s the course description:

How can anthropology advance human emancipation from racism, gender inequality, class disparities, and other forms of oppression? We will consider this question by examining anthropology’s colonial history from a decolonising perspective, rethinking key anthropological concepts and asking what an anthropology for liberation might look like in theory and practice.

A number of people have asked me for the list of readings, so here they are. The readings focus on decolonising anthropology and anthropological knowledge, and my lectures will complement this by discussing anthropology for liberation.

  1. Teaiwa, Teresia K. 1995. “Scholarship from a Lazy Native.” In Emma Greenwood, Klaus Nemann and Andrew Sartori (eds.), Work in Flux. Unviersity of Melbourne: Parkville, Victoria. Pages 58-72.
  2. Asad, Talal. 1973. “Introduction.” In Anthropology and the Colonial Encounter. Ithaca Press: London. Pages 9-19.
  3. Smith, Linda Tuhiwai. 2012. “Colonizing Knowledges.” In Decolonizing Methodologies (2nd edition). Dunedin: Otago University Press. Pages 61-80.
  4. Harrison, Faye. 2008. “Writing against the Grain: Cultural Politics of Difference in Alice Walker’s Fiction.” In Outsider Within: Reworking Anthropology in the Global Age. Chicago: University of Illinois Press. Pages 109-133.
  5. Tengan, Ty P. Kāwika. 2005. Unsettling Ethnography: Tales of an ’Ōiwi in the Anthropological Slot. Anthropological Forum, 15:3, 247-256.
  6. Sissons, Jeff. 2005. “Indigenism.” In First Peoples: Indigenous Cultures and their Futures. London: Reaktion Books. Pages 6-35.
  7. Mikaere, Ani. 2011. “Are We All New Zealanders Now? A Māori Response to the Pākeha Quest for Indigeneity.” In Colonising Myths, Māori Realities: He Rukuruku Whakaaro. Wellington: Huia Publishers. Pages 97-119.
  8. Simpson, Audra. 2007. On Ethnographic Refusal: Indigeneity, ‘Voice’ and Colonial Citizenship. Junctures, 9, 67-80.
  9. Kaʻili, Tēvita O. 2012. Felavai, Interweaving Indigeneity and Anthropology: The Era of Indigenising Anthropology. In Joy Hendry and Laara Fitznor (eds.), Anthropologists, Indigenous Scholars and the Research Endeavour: Seeking Bridges Towards Mutual Respect. London, United Kingdom: Routledge. Pages 21-27.
  10. Muru-Lanning, Marama. 2016. Intergenerational investments or selling ancestors? Māori perspectives of privatising New Zealand electricity-generating assets. In Peter Adds, Brigitte Bönisch-Brednich, Richard S. Hill, and Graeme Whimp (eds.), Reconciliation, Representation and Indigeneity: ‘Biculturalism’ in Aotearoa New Zealand. Heidelberg : Universitätsverlag Winter. Pages 49-61.
  11. Fabish, Rachael. 2014. “Chapter 1. Methodology: ‘Learning to be affected’ by Kaupapa Māori.” In Black Rainbow: Stories of Māori and Pākehā working across difference. PhD thesis, Victoria University of Wellington. Pages 23-60.
  12. Loperena, Christopher Anthony. 2016. A Divided Community: The Ethics and Politics of Activist Research. Current Anthropology, 57:3, 332-346.

As you can see, we are only going to read one reading per week instead of the usual 2-3 per week that many courses assign. This is so we can develop a thorough, critical understanding of each required reading.

I plan to provide a list of recommended readings to supplement the required reading list, which will include authors like Paulo Freire, Franz Fanon, and Edward Said, and non-academic texts such as poetry, fiction and film. What would you recommend I add to this list of recommended readings, and why? I would love to hear your suggestions!

Anthropology under my skin

What follows is the text of the presentation I gave as part of the the Reclaiming Anthropology panel during the Anthropology in Aotearoa Symposium held at Victoria University of Wellington, Aotearoa New Zealand, on 11 May 2017.

 

I remember when anthropology first got under my skin

20 years ago now

BA, first year,

Student loan, didn’t care.

I asked my flatmate what I should study.

Endangered Cultures, she said

You’ll either love it or hate it.

She was right.

 

That course challenged us

to think about structures of power.

Colonialism

racism

gender and class inequalities

right here, at home, as well as out there.

We read John Bodley alongside Donna Awatere

(from her activist phase, not her Act Party days),

became politicised with Haunani-Kay Trask,

and got angry with Ranginui Walker.

Ethnocide, ecocide, genocide,

right here, on this land.

We learnt about the violence of progress and development.

Anthropology got under my skin.

It made me uncomfortable.

 

Anthropology made me look at this skin.

White skin.

Recognise its privilege

and think about what it means to live in a settler society

benefitting from ongoing processes of colonisation.

For my first anthropology research project

I delved into the insidious history and practice of colonisation

in Ireland, where my ancestors are from,

and Aotearoa, where some of them ended up.

I channeled my outrage into a song and an essay

2000 words, double spaced

in good English

Chicago referencing.

I got an A+.

 

Later, I learnt the name of the anthropology under my skin:

Anthropology for Liberation.

I eagerly followed Faye Harrison’s work, which asked

how can we decolonise anthropology?

How can anthropology work towards social justice

Emanicipation from racism, gender inequality, class disparaties, poverty, neocolonialism

Liberation of the oppressed and marginalised?

Adding Linda Tuhiwai Smith, bell hooks, and Paulo Freire to the mix,

I wrote to change the world.

2000 words,

double spaced,

Chicago referencing.

 

This was anthropology to be applied.

I tried to apply it when I was a high school music teacher

where it felt like I spent more time talking to teenage boys about

why it wasn’t okay to call each other faggot,

why it wasn’t okay to make fun of “horis,”

than how to play music.

I wondered what they learnt about ethnicity and race in their classes.

One small ethnographic study of Palmerston North schools later, I learnt that

in one school,

the school I worked at,

students were taught that there are four human races:

Caucasian, Mongolid, Negroid, and Australoid.

They did not learn that biological races don’t exist.

They did not talk about Franz Boas

or race as a social construct.

I wrote an essay calling bullshit

2000 words,

double spaced,

Chicago referencing.

I got an A+.

I gave it to the school.

They were polite

but they weren’t interested.

 

They weren’t the only ones not interested in my

anthropology for liberation.

Anthropology’s colonial heritage casts a long, cold shadow.

Studying the Other

as if they can be understood,

rendered knowable to the West.

I went to Papua New Guinea for my PhD without reading Margaret Mead

and ran straight into her legacy

in the 1980s ban on anthropologists doing research in Morobe Province,

still remembered,

and in the sharp questions from people I met

who wanted to critique her work.

I went to Tonga to do fieldwork for a report,

an anthropologist hired for her expertise on culture and development.

My first interview didn’t go well.

“So they’ve sent another palagi to tell me about my culture, have they?”

She asked

“What are you going to do with my knoweldge?”

 

We have been decolonising the arrogant assumptions that animate our practices for a quarter of a century or more;

– that anthropology can produce transformative knowledge

– that anthropology can bring about social change

We’re still working on it.

We need to keep working on it.

 

Anthropology is still under my skin 20 years later,

a tattoo that grows with me.

Post-PhD and after five years of adjunct work I practice my anthropology

at university,

full-time lecturer

student loan up to here.

Juggling managerial assessments of intellectual value

with teaching,

with service and academic care work,

in an increasingly neoliberal environment.

 

Last year I applied for promotion

over the bar,

from lecturer to lecturer.

I almost didn’t get it.

Excellent teaching and service, they said,

but not enough publications.

On track for a PBRF ranking of CNE.

Keep doing everything you’re doing, they said, and

write more.

 

Last year I applied to the Marsden early career fund

for a new research project

on how kid’s lives are transformed through music.

I almost didn’t get it.

“It is understood that the researcher has had two maternity leaves since defending the PhD,” wrote Reviewer 1.

“That would leave approximately three years for publications and other research-related outputs.”

As if I stopped parenting once I returned to work.

As if the work I was returning to wasn’t a series of fixed term,

discontinuous,

part-time,

often teaching-only contracts.

“The publication output of 3 peer-reviewed articles and 1 book chapter is at least half of what it should be,” wrote Reviewer 1.

As if quantity is what counts.

As if the entire scholarly merit of my new project,

being considered for an early career research grant,

should be measured by my publication record.

 

That independent,

critic-and-conscience-of-society tattoo parlour

that helped etch anthropology under my skin

is now a chain store in the knowledge economy.

 

Can neoliberalism and decolonisation coexist?

 

Can we decolonise anthropology

work on projects that genuinely move us further toward

an anthropology for liberation

and be publishing machines?

 

Can we decolonise anthropology

address issues of poverty, structural violence, discrimination

work in risky situations

in a risk-averse environment?

 

Can we decolonise anthropology

when our university proposes a policy on Academic Freedom

that would limit us to speaking only in our “field of expertise?”

 

Can we decolonise anthropology

provide opportunities for our students to work towards social justice,

to translate personal experiences into public concerns,

in classes of a hundred, two hundred, three hundred people?

When our university wants to remove the cap on our courses,

increasing student numbers without increasing the number of staff?

 

Can we decolonise anthropology

show students that anthropological knowledge

can make a difference in the world

is necessary in this world

while meeting university measures for graduate employability?

 

Last year my colleagues asked me what I wanted to teach.

Decolonising anthropology, I said.

My new course, Anthropology for Liberation, starts next term.

 

I’ve been thinking about those essays we write,

that we ask our students to write;

2000 words,

double spaced,

in good English,

Chicago referencing style.

That referencing style

makes it easy to cite

peer reviewed academic sources.

That referencing style

does have guidelines for citing

non-peer reviewed sources

but you have to hunt for them.

 

I’ve been thinking about how I can make space

for different ways of learning, knowing, and being,

for recognising the shoulders of different giants.

What happens if I ask students to write an essay

informed by a politics of decolonisation

called “An indigenous view of Wellington”

that requires them to work with different forms of knowledge?

Knowledge that might not be easy to cite using

Chicago referencing style?

 

How you do reference a tattoo?

 

Maybe instead of asking

“how many references do I need?”

students will start questioning what counts as knowledge,

whose knowledge counts,

and where knowledge resides.

 

My new course has a hundred students already.

I’m looking forward to learning with them

and adding to the anthropology under my skin.

Survey participants wanted: Music education in Porirua Schools

Do you know any young people who attend school in Porirua? I would like to invite them to participate in a survey about music education in Porirua schools.

As I mentioned in an earlier post, I recently started a new research project looking at the social impacts of three Sistema-inspired orchestral music education programmes operating in low decile schools in urban Wellington. El Sistema is a Venezuelan music and social development initiative that began in 1975 and is today one of the world’s largest and most famous orchestral music education programmes. Sistema-inspired programmes operate in over 60 countries and there are at three here in Wellington: Arohanui Strings, Porirua Soundscapes, and Virtuoso Strings.

My new project looks at the social impacts of these three charitable organisations, which run music education programmes in low decile schools in Porirua and Hutt Valley. This is an independent project funded by Victoria University of Wellington.

As part of my research I am conducting an anonymous survey of young people attending school in Porirua. The goals of this survey are:

  • to find out how interested young people are in music education;
  • to see if there are any barriers that might prevent young people from taking part in music education.

If you know of a young person who attends school in Porirua I would appreciate it if you would consider asking them (or their parents or caregivers) if they would like to take part in this survey. The survey will take about 10 minutes to complete and is suitable for young people aged 10 and over. The link to the survey is below.

Music education in Porirua Schools survey

I would be happy to send you a copy of the survey if you would like to see the questions, and you can contact me here. The survey is available now and will close on Sunday 11 December.

Thanks!

#AAA2016 Melanesia Interest Group Business Meeting

Those of you attending this year’s annual meetings of the American Anthropological Association are warmly invited to attend the annual Business Meeting of the Melanesia Interest Group, which will be held on Thursday, November 17, from 6:15-7:30pm, in Convention Center room 206AB.

The agenda is as follows:

  1. Expanding the mandate of our interest group from Melanesia to the wider Oceania/Pacific region:
    (a) Vote for a new name (MIG? OIG? PIIG? Other suggestions?)
    (b) New guidelines for our expanded interest group (including how to ensure our invited session represents our newly expanded mandate)
  2. Ideas for our 2017 invited session
  3. Election of Convenor
  4. Member updates

At last year’s MIG Business Meeting in Denver we discussed expanding the scope of the MIG to include Polynesia, Micronesia, and possibly Australia and Aotearoa/New Zealand. This is because there is currently no section or interest group representation for scholars of the Pacific more generally within the AAA. We agreed to open up the MIG to AAA members who work elsewhere in Oceania, and that I would begin work on this process.

This newly expanded AAA Interest Group will proceed as the MIG has done in the past by offering a space within the AAA for scholars of Oceania, hosting a business meeting at the annual AAA Meetings, and sponsoring an invited session at each AAA meeting.

Earlier in the year I completed a survey of MIG members and other anthropologists who work in Oceania. 57% of respondents currently belong to the MIG and 92% of respondents indicated that they would join an Interest Group of the AAA that represented scholars of the Pacific region. Just over 50% of respondents indicated that they work in Pacific regions other than Melanesia. These results indicate that an AAA Interest Group focused on Oceania would attract a number of new members.

This meeting will be of interests to all AAA members whose work involves Oceania in some form. All are welcome!

AAA 2016 papers relating to Oceania

The programme for the 115th annual meeeting of the American Anthropological Association (16-20 November) in Minneapolis is now available. I have compiled a list of sessions, papers and meetings that will be of interest to people working in Oceania. Unfortunately I don’t have access to the abstracts or list of venues (this content is restricted to those paying to attend the AAAs), but this is a good general guide to some of the interesting work being presented this year.

If I have missed anything please let me know so I can add it!

Wednesday, November 16

The Persistence of Memory among Maring in Papua New Guinea
Allison Jablonko, Society for Visual Anthropology
Wednesday 11:15 am
(part of the Society for Visual Anthropologys Visual Research Conference) Continue reading “AAA 2016 papers relating to Oceania”